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Wrought Iron
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$25.00
$25.00
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Composer: Andrea Reinkemeyer
Duration: ca. 6:20
Scoring: flute and percussion
Materials: score (9.5 x 13) and parts (9.5 x 13)
Duration: ca. 6:20
Scoring: flute and percussion
Materials: score (9.5 x 13) and parts (9.5 x 13)
Program Note
Wrought Iron (2012) for Flute and Percussion was commissioned by the Albany (NY) Symphony Orchestra as part of the Capital Region Heritage Commissions project. This piece is a musical celebration of the beautiful metal work that crowns the iconic Troy Savings Bank Music Hall. The shapes found within the iron work--circles, triangles, and rectangles--dictated the shape of the percussion instruments used--cymbals, tambourine, bongos, triangle, and vibraphone. The music reflects the light, airy and beautifully ornate quality of the metal castings.
While composing this piece, I was also drawn to another fascinating aspect of this building: architect George B. Post used metal to look like stone. In his attempt to make a European-looking building (on an American budget), he fashioned a metallic exoskeleton that houses a truly unique acoustic space. In this vein, I have worked elements from pieces by two of the composers whose names grace the ceiling of the hall: Ludwig van Beethoven and Frederick Chopin; in this way, I am honoring the work of artists who came before me, but with a twenty-first century American twist. Like the cast aluminum used in the 1990s renovation to replace the original iron, and the woodwind made of metal, things are not always what they seem.
— Andrea Reinkemeyer
While composing this piece, I was also drawn to another fascinating aspect of this building: architect George B. Post used metal to look like stone. In his attempt to make a European-looking building (on an American budget), he fashioned a metallic exoskeleton that houses a truly unique acoustic space. In this vein, I have worked elements from pieces by two of the composers whose names grace the ceiling of the hall: Ludwig van Beethoven and Frederick Chopin; in this way, I am honoring the work of artists who came before me, but with a twenty-first century American twist. Like the cast aluminum used in the 1990s renovation to replace the original iron, and the woodwind made of metal, things are not always what they seem.
— Andrea Reinkemeyer
Reproduction Notice:
This program note may be freely reproduced in concert programs, provided that proper credit is given to the composer.
This program note may be freely reproduced in concert programs, provided that proper credit is given to the composer.