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Echoes in the Snow
SKU:
JD-001-S
$3.50
$3.50
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Composer: Joseph Dangerfield
Duration: 3:00
Scoring: mixed a cappella choir (SSAATB)
Materials: score (8.5 x 11)
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For bulk orders of choral music or print licensing, please Contact Us for more information.
Duration: 3:00
Scoring: mixed a cappella choir (SSAATB)
Materials: score (8.5 x 11)
————--
For bulk orders of choral music or print licensing, please Contact Us for more information.
Program Note
Echoes in the Snow was composed in memoriam of three of my oldest and best friends, all of whom have passed away in the last five years. Brian Jennings (2014), who died of complications of cancer, Joseph Dotterweich (2018), who also died of complications of cancer, and Kristi Case (2019), who died of a heart attack. Much of our childhood was spent playing in the snow, usually in the field behind my house, as well as a few other locations in town. In this work, I employed the use of the ancient art of Swedish Kulning, which was a song used to call livestock home. When properly employed, the style of singing could be heard for miles. The text of the song represents the view of the Kulning singer: the choir repeats the word Icicles, in broken syllables, which becomes I-seecles, changes to I seek you, and, finally, to, I see you. The symbolic meaning is one of longing to see those that I can never see again. Finally, while writing the work, the following passage from Henry Scott-Holland’s (1847–1918) sermon “Death, the King of Terrors” (1910) resounded in my mind:
Everything remains exactly as it was.
I am I, and you are you,
and the old life that we lived so fondly together is untouched, unchanged.
Whatever we were to each other, that we are still.
— Joseph Dangerfield
Everything remains exactly as it was.
I am I, and you are you,
and the old life that we lived so fondly together is untouched, unchanged.
Whatever we were to each other, that we are still.
— Joseph Dangerfield
Reproduction Notice:
This program note may be freely reproduced in concert programs, provided that proper credit is given to the composer.
This program note may be freely reproduced in concert programs, provided that proper credit is given to the composer.